Telstra NATSIAA 2025 has announced 71 finalists
Connecting to country and celebrating culture with another round of the prestigious awards.
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Landmark, Eyesore, or Icon? New book captures Plymouth’s Civic Centre in liminal transition
Blending architectural photography and graphic storytelling, Civic is a striking new book by 51 Studio and Dom Moore that documents...
Rolling with intention: How Super Okay is turning THC Design into the Great American Cannabis brand
As cannabis moves from counterculture to mainstream, Super Okay's rebrand of California-based THC Design plants its flag in ambition, clarity...
How Dark Horses and Nissan Formula E Are Rewriting the Playbook on Sports Marketing
With "Noisy Thinking" at its core, Nissan Formula E is breaking through with culture-led creativity. In an exclusive interview with...
Frieze New York Kicks Off to Strong Sales, Despite Political and Financial Turmoil
After days of simultaneously damp and drizzly weather, Frieze New York opened its doors to a warm, bright, and energetic...
Book review: Rytuał, Chloe Eisabeth Wilson
Friday night drinks are not what you'd expect at this cult beauty company.
Peak bodies welcome re-elected Albanese Government and call for greater commitment to live music and visual arts sectors
NAVA and 20 contemporary music organisations have welcomed Labor’s re-election and are collectively calling for stronger focus by the new...
Performance review: UPU, Sydney Opera House
A poetic expression of the Pacific, its people and their stories.
Screenplay Competitions Are Changing. Here’s Where We Stand.
The post Screenplay Competitions Are Changing. Here’s Where We Stand. appeared first on Austin Film Festival.
‘Four Seasons’ – Fey and Friends Can’t Find the Funny
Hollywood is so eager to reboot classic IPs it turned to the most sensitive man of the ’80s for inspiration....
