Biennale of Sydney 2026 prompted by forgotten histories
The first 37 artists participating in Biennale of Sydney 2026 represent rich diasporic voices that will explore “the hidden effects...
art
Exhibition review: Masakatsu Sashie and Creature Creature: Auspicious Delicious, Outré Gallery
Two highly distinctive artists combine to create an exhibition to savour.
Liverpool Powerhouse launches new identity for Western Sydney arts
Rebrand of Casula Performing Arts Centre to Liverpool Powerhouse signals a new cultural vision for the region.
Futureproofing the next generation of arts workers in regional Australia means fixing the $50,000 degree problem
Emerging research from LabNorth points to a troubling pipeline problem: it is becoming increasingly difficult to source young, qualified arts...
Managing your IP in the arts: a practical guide to help you stay safe
Artists are often rich in ideas but poor in IP protection. Here’s how to fix that.
Book review: Stinkbug, Sinéad Stubbins
Toxic workplace culture from a millennial's point of view.
How the Motorcar Helped Fuel Feminism
ST. LOUIS — American car culture has long seemed synonymous with a particular make of men: showy, and yet unsure that...
Why Are We Still Obsessed With Pompeii?
A bronze statue at Pompeii’s Temple of Apollo, with Mount Vesuvius visible in the background (photo by Graham O’Keeffe via...
The Diné Weaver Who Turns Microchips Into Art
Marilou Schultz (Diné) with her 1994 work “Replica of a Chip” (all photos courtesy the artist, unless otherwise noted)MESA, Ariz....
Foundations and Donors Step in to Fill the Federal Art Funding Gap
As arts organizations across the United States grapple with the sudden loss of federal grants resulting from the Trump administration’s...
