Theatre review: Looking for Alibrandi, Adelaide Festival Centre
Melina Marchetta’s much loved book about migrant families in Australia is brought to life on stage.
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Propel Youth Arts WA announces closure, blames policy failure
Propel Youth Arts, the peak youth arts body for WA, will shut down after more than 20 years, citing WA...
Theatre review: FEMME PLAY [ungrateful slut], The Butterfly Club
Judy Doubas’ latest play illuminates women’s roles in contemporary society.
Why Did Pope Leo XIV Invoke Van Gogh in His First Address?
Pope Leo XIV invoked Vincent van Gogh’s “Sower at Sunset” (1888) in his first general audience on Wednesday, May 21,...
Xingzi Gu Shows the Vulnerability of Youth
I first saw Xingzi Gu’s vaporous paintings of adolescents on the brink of adulthood at the artist’s MFA show at...
The New American West: Photography in Conversation
The New American West: Photography in Conversation11th June, 2025 – 11th July, 2025Pierre Yovanovitch Mobilier New York555 W 25th St...
Catherine Repko: Duets
Catherine Repko: Duets6th June, 2025 – 5th July, 2025HUXLEY-PARLOUR3–5 Swallow StreetLondon W1B 4DE Catherine Repko’s Quiet Study of Human Connection...
Arts24 in Cannes: Iranian Dissident Jafar Panahi Wins Palme d’Or for “It Was Just an Accident”
Arts Editor Eve Jackson and film critic Emma Jones take us through the winners of this year’s Cannes Film Festival,...
Variety Admits to Hollywood Blacklist 2.0, Doesn’t Care
Zachary Levi knew he was taking a risk by endorsing President Donald Trump last year. The “Shazam!” alum dubbed it,...
The Unofficial ‘Final Destination’ Film That Trumps Them All
James Wong’s “Final Destination” is now 25-years old, a six-film franchise (so far) and a celebrated horror series that fans...
