The screams from an audience watching “The Omen” in 1977 can be heard throughout the Cinema São Luiz in the...
CANNES – Let me be the first, perhaps second, possibly third critic to refer to Harry Lighton’s directorial debut, “Pillion,”...
CANNES – In the opening moments of “Bono: Stories of Surrender,” filmmaker Andrew Dominik’s black and white concert film about...
Taking a big creative swing as a public figure whose personal and professional life has been minutely scrutinized since childhood...
Self-consciously drawing attention to their own workings, the films of German director Christian Petzold have always displayed a degree of...
CANNES – There has to be something quietly reassuring about the world that a movie about a first-generation French Algerian...
CANNES – A musical inspired by the 2018 feminist protests in Chile that included many students, Sebastián Lelio’s fascinating and...
Writer/director Ari Aster has now spent his last two films explaining himself. One of the most divisive sequences in “Beau...
CANNES – Citizens arrested without justifiable cause. Enemies of the state are imprisoned with no chance of due process. An...
CANNES – Unless you’re well-versed in French-language graphic novels, you may not know the name Ugo Bienvenu, but if you...
