France 24 Explores Brazil’s Cultural Influence in The Art of Change, a New Three-Part Series
To mark 200 years of diplomatic relations between France and Brazil, France 24 is presenting a new cultural series that...
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Cj Hendry’s New Exhibition, Keff Joons, Finds Levity in the Absurd
With humour and irreverence, Hendry deflates the glossy perfection of Koons’s icons to ask: What happens when form fails? This...
As Culture Wars Intensify Nationwide, CPW Faces Imminent Cuts to Government Funding
In a move reflecting broader political shifts, two major US government agencies have withdrawn previously approved arts grants from a...
A Wall, Transformed: Artist David Speed Brings Neon Vision to Warwick’s 60th Anniversary
As the University of Warwick turns 60, it is choosing to mark the occasion not with speeches and ceremonies, but...
Out of Mayhem, Hope: Reflecting on Lady Gaga’s Mayhem
Lady Gaga and I have three things in common. We’re just over 5 feet tall, we have Italian heritage, and...
In His US Retrospective, Ai Weiwei Takes Old Ideas to New Extremes
The word “fuck” in giant neon letters, (FUCK, 2020), greets visitors to the Seattle Art Museum’s exhibition “Ai, Rebel: The...
Isaac Julien Returns to the Cutting Room Floor of History
SAN FRANCISCO — Time folds unto itself and reflects historical and contemporary moments that have shaped society in Isaac Julien’s...
What’s at the Heart of Our Tarot Fascination?
LONDON — Ask any tarot reader about the origins of the popular cartomancy practice, and you’ll get a variety of...
A Vision of Design That Transcends Empire’s Grid
Western design has long obeyed the dicta of fin de siècle and early 20th-century Berlin and Paris — that ornament...
Move Over, Jeff Koons, There’s a New Balloon Sculpture in Town
As I peered into the gargantuan tangle of 50 multicolored inflatables comprising the centerpiece of CJ Hendry’s Keff Joons exhibition,...
