‘It’s All Gonna Break’ Review: Re-Emerged, Reconstituted Documentary Finds Beauty In The Chaos Of Broken Social Scene
“You can’t break up something that’s already broken. The only way to destroy it is to actually fix it,” Emily...
reviews
“Ace Trumpets”
Pusha T, No Malice, and Pharrell kick it like they used to on the lead single from the group’s first...
‘Peak Everything’ Review: Quebecois Filmmaker Anne Émond Finds Hope & Humor in A Gently Offbeat Apocalyptic Romance [Cannes]
Staring into a light-therapy solar lamp, Adam hopes to illuminate more than just his seasonal depression in “Peak Everything.” A...
‘The Six Billion Dollar Man’ Review: Julian Assange WikiLeaks Documentary Is A Bit Broad But Still Uncovers Urgent Truths [Cannes]
CANNES – A film about an urgent subject that, while not quite as incisive or focused as one would hope...
‘The Young Mothers’ Home’ Review: The Dardennes In Polyphonic Mode Largely Ring False [Cannes]
“The Young Mothers’ Home,” the latest film from Belgian brothers Jean-Pierre and Luc Dardenne, opens on the desperation of a...
“Afterlife”
The classy, off-kilter song is the lead single from his forthcoming album, Headlights.
Lorde: “Man of the Year”
The second single from her forthcoming Virgin album puts the “lad” in power ballad.
“Landgrab” [ft. Earl Sweatshirt]
The underground all-stars lob bars back and forth for 90 seconds of chilled-out showtime rap.
‘Karate Kid: Legends’ Review: A Flawed But Entertaining Distraction That Doesn’t Quite Live Up To The Franchise’s Legacy
When “The Karate Kid” landed in theaters in June 1984, it became a pop culture phenomenon. The pairing of Ralph...
‘Life of Chuck’ Is Craziest Stephen King Adaptation Ever
Rob Reiner brought two Stephen King stories to iconic life. The director’s “Stand By Me” and “Misery” captured very different...
